PREPARATION

Before starting, you ensure your hands and nails are well cleaned. File your nails if necessary, so that there are no snags. By doing this you prevent damages on the face and risk of infection.

Always work using clean materials (sponges, brushes, spatulas, water bowls) and change the water regularly.

Get the subject to put on any clothes beforehand that have to be put on over the head. Protect your models clothing with a hairdressing cape or a towel.

First degrease and clean the skin you are going to be working on with Grimas Cleansing Lotion. Then wipe dry with a tissue.

Ageing a young face is based on a simple principle. Always go along with the features of to the person you are ageing. A pinched face with a clear bone structure demands another approach than a spherical, round face.

PROCEDURE

Apply a base with Grimas Crème Make-up Pure.
The waxes and oils allow Crème Make-up Pure to be blended away easily, making it excellent for highlights and shadows, both for beauty (shaping, modelling) and theatrical purposes (ageing, creating various characters, effects).
The older skin has a pale colour because of the diminished blood supply. By applying a light, dull base tint (for example OA or 1007) you directly get an older effect. Work out the base on the ears and in the neck.

Take the Crème Make-up Pure out with a clean spatula and work from the spatula. Apply it with a slightly damp latex sponge or make-up sponge onto the skin.
By applying the base on the lips they appear narrower - a trait of ageing.

SHADOWING

On an older person the skin, where there is little or no bone, is sunken. On a younger person these parts are darkened (shadowed), the skin will appear to be really sunken at that spot.

For shadowing purposes, dark brown is used.

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