APPLYING A BASE

Apply a base with Grimas Crème Make-up Pure. The older skin has a pale colour because of the diminished blood supply. By applying a light, dull base tint (for example OA or 1007) you directly get an older effect. Work out the base on the ears and in the neck.

CRÈME MAKE-UP PURE = Crème Make-up Pure
Take the Crème Make-up Pure out with a clean spatula and work from the spatula. Apply it with a slightly damp latex sponge or make-up sponge onto the skin. By applying the base on the lips they appear narrower - a trait of ageing.
For ageing we use Crème Make-up Pure because this works out easily and has good fluidic properties. For shadowing purposes, dark brown is used.

Depending on the desired effect and the situation (nearby, far off), you can apply stronger or less strong lines. To create a more subtle effect, you can mix the dark brown with the basic colour on the spatula or on your hand. This makes the colour that you use for shadowing less powerful.

The more subtle you work, the more natural the result.

SHADOWING/HIGHLIGHTING

Important areas for shading are the eye sockets, the temples, the side of the nose and below the cheekbones. The vertical frown wrinkle and the naso-labial ('nose-lip') fold are also important areas to shadow.

On an older person the skin, where there is little or no bone, is sunken. On a younger person these parts are darkened (shadowed), the skin will appear to be really sunken at that spot.
When you age somebody with a spherical, round face the bone structure is hardly visible. In this case, do not shade the cheekbone on the round cheeks below, but emphasize on the cheeks. Draw a line below the nose-lips line that goes underneath the cheeks, for a baggy effect.

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